Policies are unreadable
Waiting periods, deductibles and pre-existing conditions get skipped, so customers buy without understanding.
The hardest part of insurance to explain is what happens after something goes wrong: how much a hospital stay covers, what isn’t covered, which documents to submit. Policies are precise but hard to read, agents explain until they’re hoarse, customers stay unsure, and disputes still arise at claim time.
We tell it as a short drama: a family’s ordinary days, a child’s fall, a father’s minor diagnosis, a scrape on a road trip. Each mishap maps to a coverage, acted out from reporting to documents to payout. Exclusions are acted out too, so customers know where they stand and disputes drop later.

Waiting periods, deductibles and pre-existing conditions get skipped, so customers buy without understanding.
Each agent says it differently—overstating or missing points—so the company can’t keep messages consistent.
Leading with illness and accidents feels like scare tactics, and people swipe away.
Daily life first, then a mishap—how coverage helps unfolds naturally.
What isn’t covered is shown in two contrasting scenes—easier to remember than reading clauses.
The company approves one version and every agent shares the same film.
Bright visuals and likeable characters; mishaps stay brief and the focus is on the solution.
One coverage per episode—outpatient, inpatient, critical illness, accident—when it applies and what it pays.
From reporting and uploading photos to supplementary documents and payout, step by step.
“Insurance covers everything,” “public insurance is enough”—one myth per short.
How residents or employees enroll, what’s covered and how to claim.
Each step comes to you for approval before we move on.
Policy wording, claims steps, the most common questions and misunderstandings, and approved messaging.
We design a family and short episodes, one point each, and send scripts to compliance first.
After approval we generate episodes with consistent characters, dialogue, narration and key-term captions.
We deliver vertical episodes and a landscape compilation, and the same family returns for new products.
Click through for the full film and project review.

Kuaishou’s 2026 Spring Festival micro-drama turns seven campaign venues into one adventure—the same idea as weaving product facts into a plot.
See the full case
Our competition MV Don’t Come for Me, I’ll Change turns kitchen, charging and battery hazards into comedy—risk without fear.
See the full caseFor process, pricing and revisions, see Process & Pricing.
Listed here is what we’ve done and what people ask most. For other industries or uses, add us on WeChat and send a one-line brief—we’ll reply with an approach and quote within 1–2 working days.

Page updated 2026-10-24
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