Liandan AI Studio
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COOPERATION & PRICING

How We Workand How We Price

Liandan AI Studio produces AI commercials, brand films, product videos, public-sector and cultural tourism promos, and animated micro-dramas.
We move from brief to delivery in 9 steps, and only proceed after you sign off on each one. Pricing is based on runtime and production tier, with every cost listed up front before you commit.

Shenzhen Alchemy Technology Co., Ltd.For businesses, government agencies, brands and production companiesUpdated 2026.10.13

At a Glance

Read this section to see how working with us works.

What we make
AI commercials, brand films, product videos, public-sector and cultural tourism promos, event openers, AI shorts and music videos, and animated micro-dramas. We can also handle just the AI visuals within your film.
How we price
We take on projects from a few thousand to several hundred thousand yuan. By runtime and production tier, billed in whole minutes; anything under 1 minute is billed as 1 minute. The tier depends on visual difficulty and revision needs; Standard is the default.
What's included
Script development, style and character/scene assets, storyboards, AI video, editing, AI voiceover (with lip sync), music and sound effects, and subtitles.
How it moves
Script → style and assets → storyboard frames → first cut → revised cut → final cut, with your written sign-off at each step before we move on.
Revisions included
One round of revisions on the first cut and one round of fine-tuning on the revised cut. Objective errors—continuity slips, typos, inconsistencies—are fixed free at any time before final.
Turnaround
For a 1–2 minute film, the first cut usually takes about a week, and another week or so to reach final. A sample demo can be ready as soon as the same day. Rush production is available; timeline and price are agreed case by case.
Payment
50% upfront on signing to start production; the remaining 50% is due within one month of final approval. We issue Chinese VAT invoices and can accept payments from outside China.
Copyright
Once paid in full, all our rights in the finished film, original script, project files and delivered assets are transferred to you.
01PROCESS

Nine Steps from Brief to Delivery

We hand each step to you for sign-off before moving on. The big decisions are locked at the script, style and storyboard stages, so there are no major overhauls at the video stage.

  1. STEP 01

    Brief

    About 1 day

    What we do
    We review your brief and references, work out how AI can deliver the best result, and flag anything AI can't do yet along with alternatives.
    What you do
    Send a one-line brief or story outline, the intended use, reference films, runtime and delivery date (see the checklist below).
  2. STEP 02

    Assessment & Quote

    1–2 business days

    What we do
    We set the tier based on visual difficulty and revision needs and send a quote: total price, what's included and how many revisions, what's charged extra, and payment terms and schedule. If materials are still incomplete, we start with a price range.
    What you do
    Agree on 1–2 benchmark works with us as the acceptance standard. If you're unsure about the result, you can order a sample first.
  3. STEP 03

    Contract & Deposit

    Work starts once payment arrives

    What we do
    Sign the contract, set the schedule, create the project group chat and name a point of contact for each step.
    What you do
    Pay the 50% deposit. If you start with a sample, you can pay once you're happy with it.
  4. STEP 04

    Script

    What we do
    We turn your brief into a production-ready shooting script: what each shot shows, what is said and how long it runs. If you need an original story, we write it from the concept up.
    What you do
    Approve the script. All later changes are measured against this version.
  5. STEP 05

    Style & Assets

    What we do
    We set the overall look first, then build the lead characters, recurring supporting characters and main locations as fixed “assets.” Every shot is generated from them, so people and places stay consistent throughout.
    What you do
    Approve the look and the main characters and locations.
  6. STEP 06

    Storyboard Frames

    What we do
    We first turn each shot into a still frame, so you can see the composition, character action and product placement in advance.
    What you do
    Approve the storyboard frames. Approved shots will be followed in the video.
  7. STEP 07

    First Cut (A copy)

    About one week to first cut

    What we do
    We generate the video and complete editing, AI voiceover, music and sound effects, and subtitles, then deliver a complete first cut.
    What you do
    Consolidate your feedback and send it to us in one go; we make one round of revisions based on it.
  8. STEP 08

    Revised Cut (B copy)

    What we do
    The version revised according to your feedback.
    What you do
    Request final tweaks: swap a few shots, adjust subtitles, change a few voiceover lines, fine-tune volume and pacing.
  9. STEP 09

    Final Delivery

    About another week

    What we do
    We deliver the finished film plus the agreed project files and assets. Copyright is transferred once the balance is paid.
    What you do
    Pay the balance within one month of final approval. If no feedback is raised within 7 days of delivery, the work is deemed accepted.

Please prepare before we startIf you don't have everything yet, we can still talk, and we'll help you fill the gaps.

  1. 01
    A one-line brief or story outlineAn existing script or storyboard is even better, but not required
  2. 02
    Use and distribution channelsFor example, a launch-event screen, Douyin or WeChat Channels, a trade show, or TV
  3. 03
    2–3 style referencesFilms or images you like; the more specific, the better
  4. 04
    Runtime and aspect ratioLandscape, portrait, or multiple sizes
  5. 05
    Delivery dateAny fixed release or event date
  6. 06
    Voiceover and languageAI or human voiceover; Chinese, English or multiple languages

Typical timelines

Sample demo

As soon as the same day

From 15 seconds, to check story and style direction.

1–2 minute film

About two weeks

About a week to first cut, then another week or so of revisions to final. Longer if there are many approval layers.

Series and longer films

Scheduled by episode or segment

Scheduled by shot count at signing; multiple teams can work in parallel.

Rush production is available; timeline and price are agreed case by case.

02PRICING

Priced by Runtime and Production Tier

For the same minute, differences in visual difficulty and revisions can multiply the time it takes. So we first set the tier by visual difficulty, and move up a tier for projects with many approval layers and high revision demands. We give a firm price once we see the specific brief.

Five TiersStandard is the default. Only after a detailed review, if production difficulty and revision needs are clearly lower or higher, do we switch to another tier.

Tier

Sample demo

Check direction before you place the order

  • From 15 seconds
  • AI-automated and hand-refined versions
  • Fully credited toward the project once you sign
Tier

Light

Finished work with simple visuals and few revisions

  • Only objective errors are fixed at each stage: continuity slips, inconsistencies, factual errors
  • No changes for taste-based feedback such as “a different style would look better”
  • The finished film still must have no obvious flaws
Default

Standard

Most promotional and product films

  • Style and assets refined to your satisfaction within one round of feedback
  • One round of revisions on the first cut, plus one round of fine-tuning on the revised cut
  • Licensed or AI music as needed
Tier

Premium

Character performance, continuous storylines, complex action, precise product reproduction

  • High-quality models by default, with multiple generations to pick the best
  • Two style directions to choose from up front
  • Finer tuning of lip sync and vocal tone
Tier

Premium (Multi-Layer Approval)

Brand and product launch films with many approval layers and high revision demands

  • Premium, with extra room built in for multiple rounds of review
  • Suited to launch projects for brands and tech companies

Two Steps to Set the TierStep one: visual difficulty. Step two: revision needs.

Visual difficulty: any one of the following makes it Premium

  • Characters must act: dialogue lip sync, subtle expressions, multiple characters interacting in frame
  • A continuous story with consistent characters, costumes and locations across many shots
  • High-speed action, fights, complex camera moves, dense VFX
  • Precise product reproduction: shape, logo, UI and colors must all be exact

Revision needs: two or more of these moves it up a tier

  • For a brand or product launch, with 3 or more approval layers
  • Your contact relays feedback up and down the chain and can't make the final call
  • Requires “revise until satisfied” and won't accept a set number of revisions
Tier by visual difficulty and revision needs
Visual difficultyNormal revision needsMany approval layers, high revision demands
Simple visualsLightUp to Standard
Typical visualsStandardUp to Premium
Difficult visualsPremiumPremium (Multi-Layer Approval)

Government, city promotion, cultural tourism and engineering explainer projects usually have contacts who can make decisions and a stable style, so revision needs are generally modest.If we're unsure about difficulty, we'll first test the one or two hardest shots in-house, then set the tier and quote.

How billable runtime is calculated

Final runtimeBilled asExample
Under 1 minute1 minute43 sec billed as 1 min
Up to 20 sec over a whole minuteNo extra charge1 min 10 sec billed as 1 min
21–40 sec overAdd half a minute1 min 30 sec billed as 1.5 min
41 sec or more overNext whole minute1 min 51 sec billed as 2 min

The quote states a maximum runtime. If you extend the film partway through, the extra is billed by the rules above.

What's Included and What Costs Extra

Included

  • Script development: you give us a synopsis or outline, and we turn it into a production-ready shooting script
  • Style & Assets: overall look, main characters and main locations
  • Storyboards and AI video: still storyboard frames and video generation, including compute costs
  • Editing and finishing: editing, subtitles and full sound design
  • AI voiceover: Chinese or English, with lip sync and tone adjustment as standard
  • Music: AI-generated, or licensed music as needed
  • Asset costs: paid fonts, stock footage, sound effects and the like, with a set allowance per minute

Billed separately (itemized in the quote)

  • Original script: if we write the story from scratch and develop the concept through several rounds, it's charged as a percentage of the production fee
  • An extra full proposal for a pitch: each additional complete creative script is billed separately
  • No public showcase: if it's agreed at signing that the project can't appear in our portfolio
  • 4K output, specified high-quality models: listed in the quote as needed
  • Assets and licensing beyond the allowance: human voiceover, specific commercial music and the like are billed at cost; we tell you the amount first and only purchase after your written approval
  • Subcontracting for 3D, live action, etc.: the subcontractor's quote is passed on to you at cost, with no markup from us
  • Out-of-scope revisions and reversing approved content: see “Revisions” below

Our prices are fixed. If your budget is tight, we'll suggest a lower tier, a shorter runtime or fewer difficult shots, rather than cutting production quality within the same tier. Quotes are valid for 1 month.

03CASE STUDY

From Script to Final Film: A Real Project

Take “Geek Ideas,” the second film in the Longgang Robot Street promo series: the client provided a first-draft script, and we refined the script, built assets, made storyboards, generated the video and delivered a 4K final cut. We describe only the final version here, not the back-and-forth along the way.

Key frames from Robot Street's “Geek Ideas”
Client
Shenzhen Longgang Robot Street
Film
“Geek Ideas: City of the Future, Where Anything Can Be Made,” the second film in the street's promo series
Specs
2 min 41 sec · 16:9 · 4K
Timeline
Script received in late June 2026; 4K final delivered in early August
See the full case study and film ↗
  1. 01

    The client's first-draft script

    The street provided scripts for a promo series, and “Geek Ideas” was one of them: young entrepreneur Chen Yan wants to build a wheel-legged robot. On Robot Street he buys parts, prints components, gets expert feedback, road-tests it, and finally lands investment.

    The script was a shot table listing the timing, visuals, dialogue and motion-graphics cues for each segment. Locations to feature included the Parts Supermarket, the AI 6S Store, the Vanke Xinghuo International Robotics Industrial Park, Robot Avenue and the Twin Towers. The client also supplied real photos of the street, its brand plan and the entrance logo files.

  2. 02

    How we refined the script

    Every location the street wanted to show stayed in. What we changed was how they connect and how people talk:

    • Opening on someone with a goal: at 2 a.m. the blueprints are done—“all that's left is buying parts and putting it together.” Scrolling his phone, he comes across Robot Street and heads there first thing the next morning.
    • Every location visited for a reason: short on parts, he goes to the Parts Supermarket; missing a custom part he can't buy, he goes to the 6S Store to model and print it; once assembled, he takes it to the industrial park for a mentor's review; after tweaking the algorithm, he test-drives it on Robot Avenue. The film no longer feels like a guided tour.
    • Dialogue rewritten to fit each character: the lead is young and driven; the mentor is steady—“Overall performance is good, but the balance needs a bit more work”; passersby react with surprise first, then say “Whoa, it transforms too”; the investor seals the deal in one line.
    • An ending where the hero takes flight himself: instead of “watching the robot fly away,” Chen Yan pilots the robot as it lifts off in front of the Twin Towers, the title appears in large type, and the film cuts to the street's logo end card.
  3. 03

    Building assets: locking down people, robot and places first

    The film has more than 40 shots, and the lead moves between a rented apartment, a showroom, outdoors and night scenes. So before production we turned everything that recurs into fixed reference sheets:

    • Look: after testing several styles, we settled on a realistic 3D CG cinematic look.
    • Lead: Chen Yan: face, hairstyle, blue-and-white fine-check shirt, khaki trousers and black crossbody bag, with a three-view turnaround.
    • Wheel-legged robot: the script didn't specify a design, so we designed it ourselves to seat a person, climb slopes and steps, turn nimbly and look physically plausible, with a three-view turnaround, a dimension drawing and a scale drawing with a rider.
    • Two passersby: they appear twice, so each got their own three-view turnaround.
    • Locations: built from real reference material of the street—the entrance, the Parts Supermarket showroom, the AI 6S Store frontage, the shared assembly area, Robot Avenue's colored hexagonal paving and the Twin Towers.
    Three-view turnaround of lead Chen Yan
    Three-view turnaround of lead Chen Yan
    Dimension drawing of the wheel-legged robot
    Dimension drawing of the wheel-legged robot
    AI 6S Store frontage built from the real location
    AI 6S Store frontage built from the real location
  4. 04

    Storyboard frames first, then video

    Each shot started as a 4K still storyboard frame, using the reference sheets above for characters, robot and locations; once the frames were approved, we generated the video. Then came per-character voiceover and lip sync, editing and music, with subtitles switched to commercially licensed fonts.

    Final storyboard: the mentor and Chen Yan looking at a tablet
    Final storyboard: the mentor and Chen Yan looking at a tablet
    Closing shot: City of the Future, Where Anything Can Be Made
    Closing shot: City of the Future, Where Anything Can Be Made
  5. 05

    Final Delivery

    We delivered a 2 min 41 sec, 16:9 4K film. All three films in the Robot Street series share the same “City of the Future” ending, so they also play as one piece back to back.

Throughout, we got sign-off step by step—script → style and assets → storyboard frames → first cut → revised cut → final—matching the process above. The next section uses this same film to show how revisions and restarts are handled.

04REVISIONS

How Revisions and Restarts Work

Revisions are signed off stage by stage. Objective errors are fixed free at any time; taste-based feedback is handled within the included rounds; anything out of scope is quoted first, and we only start after you confirm.

BriefScriptStyle & AssetsStoryboard FramesFirst cut (A copy)Revised cut (B copy)Final

Each step counts as approved once you reply “Confirmed” by email or chat. Later revisions don't change anything already approved; if they do, that counts as a restart.

These fixes are always freeObjective errors are fixed any time before final and don't count toward your rounds.

  • AI visual glitches: the wrong number of fingers, a horse losing a leg mid-gallop, objects clipping through each other
  • Typos, or subtitles that don't match the voiceover
  • Mismatches with the approved script or assets: a character's face changes, a location isn't consistent
  • Factual errors: costumes or props from the wrong dynasty, incorrect brand information

Revisions included in each tier“Objective errors” means the errors listed above. Please consolidate each round of feedback and send it in one go; feedback sent in several pieces still counts as one round.

StageLightStandardPremium
Style & AssetsOne version, objective errors onlyRefined to your satisfaction within one round of feedbackRefined to your satisfaction within one round of feedback, with 2 style directions offered first
Storyboard FramesObjective errors onlyOne round of consolidated feedbackOne round of consolidated feedback
First cut (A copy)One round, changing no more than 20% of the film's shotsOne round, changing no more than half of the film's shotsOne round, changing no more than half of the film's shots
Revised Cut (B copy)One round of fine-tuningOne round of fine-tuningOne round of fine-tuning

Fine-tuning means swapping a few shots, adjusting subtitles, changing a few voiceover lines, and adjusting volume and pacing.

Two revision options—choose one at signing

Default

By rounds

This is the table above: one round of revisions on the first cut, one round of fine-tuning on the revised cut. Suited to projects on a normal schedule.

Recommended for tight schedules

By deadline

For projects with a fixed release date and a schedule of about two weeks or less, we revise as many times as needed within the window, and on the deadline we deliver the best version at that point.

  • Feedback stays within the original brief
  • Approved content isn't reversed
  • Total revisions don't exceed a full remake of the film

There's a cap on total revisions: Whether by rounds or by deadline, cumulative revisions across the project can't exceed the work of making the whole film once, roughly the same as redoing half its shots. For core changes such as the lead's look or the hero product, the amount of change is counted by how many shots they appear in.

Out-of-scope revisions and restarts

Revisions beyond what's included

  • Beyond the included rounds, or when one round changes more shots than the cap, extra work is billed per person-day
  • Before starting, we tell you in writing how much extra it costs and how many days it takes, and only proceed once you confirm
  • Changes after final are also billed per person-day

Reversing approved content

  • After the script is approved and image generation has started: scrapping the script and rewriting it
  • After the storyboard frames are done: changing the overall style, or scrapping the script and regenerating images
  • After the first cut is done: redoing from image generation or from the script
  • After final: changing the theme, lead or overall style, and remaking the whole film

Restarts carry a surcharge based on the stage reached—the later, the higher—with the rate for each stage set out in the quote. A single restart is charged under one item only, not stacked; a partial restart is prorated by the share of the film's runtime it affects. After a restart, the schedule is reset.

Two examples from “Geek Ideas”Here are two changes that actually happened on this film, and how they'd be handled under the rules on this page.

Example 1 · Reversing approved content

Storyboard frames and video done, then the client sent a new script

The first-version stills, video and rough cut had all been delivered. Then the street restructured the series: from four films to three. “Geek Ideas” grew from about 1 minute to 2 minutes, adding frontage shots of the Parts Supermarket and the AI 6S Store, a discussion in the industrial park, and a “months later” segment with robots mass-produced and out on the streets.

Already doneUnder the new scriptUnder the rules on this page
Reference sheets for lead Chen Yan and the wheel-legged robotReused as isNot affected
Shots the new script didn't change: the rented apartment, the street entrance, Robot Avenue, etc.Original storyboard frames and video reused directlyNo charge
Parts Supermarket and AI 6S Store locationsHad to match the real shopfronts, so all location images were replaced and the related shots regeneratedCounts as reversing approved content: surcharge at the rate for the storyboard-frame stage, prorated by these segments' share of the film's runtime
New segments: shopfronts, industrial park discussion, mass-produced robots on the streets, etc.Made newThe film got longer, so billing is topped up by billable runtime

That's why it matters to lock down elements that run through the whole film, like the characters and the robot, early on: however the script shifts, they can still be reused, and only the affected segments are reversed.

Example 2 · Changing core content

Adding a safety harness to the lead just before final

One note came up in review: Chen Yan flies on the robot without any protection, which looks unsafe. A fair point, but not a small fix. The shots of the lead riding the robot are concentrated in the last third of the film, so it meant revising 20 final frames, regenerating 11 video clips, and making sure the black five-point harness matched from the front, side and back.

Before: scale drawing with the rider seated
Before: scale drawing with the rider seated
After: harness buckled for takeoff
After: harness buckled for takeoff

Under the rules on this page:Core content changes are measured by the number of shots they appear in. This change touched 11 shots, about a quarter of the film. In the Standard tier, this one item alone uses up about half of the first-cut round's allowance of “changing no more than half of the film's shots.” It looks like “adding one thing,” but it actually meant revising a quarter of the film.

05COOPERATION

Six Ways to Work with Us

Most projects are fully custom films. If you're unsure about the result, start with a sample. If you already have an overall plan and only need the AI part, we can produce just those visuals and segments.

Most common

Full Custom Film

From a one-line brief or an existing script, we handle everything—script, visuals, editing, voiceover and music—through to the finished film.

  • Brand films, product videos, commercials
  • Public-sector, cultural tourism and city promos
  • Event openers and large-screen showcase films
When unsure

Start with a Sample Demo

Before placing a full order, we make a sample from 15 seconds to check story, style and visual quality. Once you sign, the sample fee is fully credited toward the total.

  • AI-automated version: a quick look at direction
  • Hand-refined version: ready for internal discussion or pitching
Long-term

Series and Multi-Episode Shorts

Episode one sets up the characters, locations and style; later episodes reuse them, so each costs less than the first. New characters and locations are billed to the episode that introduces them.

  • City and industrial park promo series
  • Ongoing brand content
  • Animated micro-dramas
For production companies

AI Visuals and Segment Support

For ad agencies, production companies and TV programs that already have an overall plan and only need AI visuals or AI effects segments, priced by shot count or segment length.

  • AI story segments within programs
  • AI effects shots in commercials
  • AI concept visuals for pitches
For partners

Channel and Overseas Partnerships

Ad agencies, resellers and overseas partners can hand the AI production to us, run with the same process, tiers and revision rules.

  • Delivery via Google Drive
  • Written communication in English
  • Payments from outside China accepted
For teams

Corporate AI Video Training

We teach companies and academic teams the complete AI video workflow and can guide participants from zero to a finished promo film. Priced by number of course days.

  • Corporate training, university courses
  • Workflow setup and technical consulting
Also available

UI Design & Custom Tools

Custom work from our lab: interface design for apps, mini programs, websites, admin systems and data walls, plus custom industry tools, WorkBuddy AI agents and websites. Designers set the direction and rules, Claude writes the code fast, and you get editable design files and full source code; UI design costs about a third of the traditional approach.

  • Our founder led design for the open-source component library Element Plus and has spoken at Tencent Design Ecosystem Day and Huawei UXTC
  • We show 1–2 style screens first, then design every page once you pick
  • Priced by number of screens and complexity
See UI design & custom tools
Liandan Health App concept designConcept design · Liandan Health App
06TERMS

Payment, Copyright and Delivery

Half upfront to start, the balance after final; full copyright transfer once paid in full. All our tools are paid commercial platforms, and we can provide proof of compliance.

Payment and invoicing

  • 50% deposit on signing, work starts once it arrives; if you start with a sample, you can pay once you're happy with it
  • Remaining 50% due within one month of final approval
  • We issue Chinese VAT invoices and can accept payments from outside China
  • If a project is terminated midway, it's settled by completed stage: script approved, storyboard frames approved, first cut delivered, final
  • If a project is paused for more than 15 days, it's settled by completed stage and rescheduled when it restarts

Copyright and showcasing

  • Once paid in full, all our rights in the finished film, original script, project files and delivered assets are transferred to you
  • Worldwide and in perpetuity, including translation, localization and adaptation
  • After you release it publicly, we'll show it in our portfolio in ways that don't affect your interests
  • If the project can't be shown at all, tell us at signing; this affects the quote

Tool compliance

  • Only closed-source commercial platforms and models on paid accounts; no open-source models
  • We can provide a list of platforms and models, subscription invoices, links to user agreements and time-stamped generation records
  • We guarantee no infringement of third-party rights

Deliverables

  • Final film as MP4, with separate voiceover and music stems
  • Image and video assets used
  • CapCut, After Effects or Premiere Pro project files, depending on the project
  • Overseas clients can receive delivery via Google Drive
07FAQ

39 Questions Clients Often Ask

The questions we hear most before a project starts, grouped by topic. If you can't find your answer, just get in touch.

01Collaboration and scope

What types of AI video does Liandan AI Studio make?

AI commercials, brand films, corporate films, product concept films, public-sector and cultural tourism promos, event openers and large-screen showcase films, AI shorts and music videos, and animated micro-dramas. We can also produce just the AI visuals and AI effects segments within your film.

Live-action shoots, film-grade VFX and long-form drama series are assessed separately.

What do you do in-house, and what do you subcontract?

Scripts, AI images, AI video, editing, AI voiceover and music are all done by our own team. When a project needs 3D rendering or human voiceover, we use long-term subcontracting partners, pass their fees on to you at cost and take no margin. If you have your own 3D assets or a better-suited subcontractor, we can work with them directly.

We only have an idea and no script. Can we still work together?

Yes. Send us a one-line brief or a story outline and we can start. Turning an outline into a shooting script is already included in the production fee. If you need us to create an original story from scratch, or the concept needs several rounds of development, the original script is billed separately and stated in the quote.

Full answer: Can you make an AI video if I only have an idea and no script?

If we provide our own script and storyboards, will it cost less?

No. Turning the brief into a production-ready shooting script is already included in the production fee; most of the work is in the visuals and video. We'll adapt the writing to what AI renders best, which usually gives a better result. If your script has parts that are hard for AI, we'll suggest changes at no extra charge.

Can you do just the AI part of a film?

Yes. For ad agencies, production companies and TV programs that already have an overall plan, we can produce just the AI visuals, AI story segments or effects shots, priced by shot count or segment length and delivered to your editing specs.

Can ad agencies, resellers or overseas partners work with you?

Yes. The process, tiers and revision rules are the same as working with us directly. We handle production, you handle the client. When needed, we can show our collaboration records with the end client to prove we actually produced the project.

Do you also do UI design?

Yes. We design apps, mini programs, websites, admin systems and data walls, and also build custom industry tools and AI agents: designers set the direction, Claude writes the code fast, and you get editable design files and full source code, with UI design at about a third of the traditional cost. See UI Design & Custom Tools.

What projects have you done?

Highlights include the AI visuals for CCTV's “Exploring China Through Idioms,” the NDRC's 24 Solar Terms and New Year greetings videos, a video summarizing achievements of the 14th Five-Year Plan, and many city promos and brand projects, with over 400M total views. See full case studies in Work, where each project comes with a case study.

02Pricing

How is AI video production priced?

We take on projects from a few thousand to several hundred thousand yuan. For the price range and typical project types, see How much does AI video production cost?.

By runtime and production tier, billed in whole minutes; anything under 1 minute is billed as 1 minute. Up to 20 seconds over a whole minute is free, 21–40 seconds counts as half a minute, and 41 seconds or more rounds up to the next whole minute.

Tiers are Light, Standard, Premium and Premium (Multi-Layer Approval). Standard is the default, and we give a firm price once we see the specific brief; if materials are incomplete, we start with a price range.

Full answer: How much does AI video production cost?

Why do prices vary so much between projects for the same minute?

Cost comes down to two things: visual difficulty and the amount of revision. A minute of a simple film with few changes takes dozens of hours; a minute with lots of character acting, a continuous story and many revisions can take several times longer. So we first set the tier by visual difficulty, and move up a tier for projects with many approval layers and high revision demands.

What does the quote include?

Everything from brief to finished film: script development, style and character/scene assets, storyboards, AI video (including compute), editing, AI voiceover (including lip sync and tone adjustment), music and sound effects, subtitles, plus a per-minute allowance for paid fonts, stock footage, sound effects and other asset costs.

It doesn't include live-action shooting, actors, complex After Effects VFX or 3D production; these are quoted separately if truly needed.

When are there extra charges?

Only in the following cases, all itemized in the quote:

  • Reversing approved content
  • Revisions beyond what's included
  • An original script, or an extra full proposal for a pitch
  • 4K output, or no public showcase
  • Asset and licensing purchases beyond the allowance, with your prior written approval
  • Subcontracting fees for 3D, live action, etc. (listed at cost)

Adding a logo or swapping a location within the normal revision scope costs nothing extra.

What if our budget is limited?

We don't discount the rate, but we can adjust the approach. If the visuals are simple and you need few revisions, we can work in the Light tier—still a finished, professional piece, with only objective errors fixed (say, a prop from the wrong era, or a horse missing a leg in an AI shot) and no changes for feedback like “a different style would look better.” You can also shorten the runtime, or cut shots such as multiple characters in frame, dialogue lip sync and difficult action, bringing the film down to a lower tier.

Full answer: How can you make an AI video on a limited budget?

Can we see a sample first?

Yes. Sample demos start from 15 seconds, in an AI-automated version or a hand-refined version, delivered as soon as the same day. Once you sign, the sample fee is fully credited toward the total; if you start with a sample, you can pay the deposit once you're happy with it.

Full answer: Why make a sample demo before placing the full order?

How are series and multi-episode shorts priced?

Episode one is at the normal price, and the character and location assets are built there. Later episodes that reuse those assets in the same style are priced at a discount per episode. New characters and locations are billed to the episode that introduces them.

How long is a quote valid?

Quotes are valid for 1 month.

03Process and timeline

How long does an AI video take from brief to delivery?

For a 1–2 minute film, the first cut usually takes about a week and revisions to final another week or so, so if all goes smoothly it's about two weeks from brief to delivery. A sample demo can be ready as soon as the same day. For projects with many approval layers or longer films, we schedule by shot count at signing. Rush production is available; timeline and price are agreed case by case.

Full answer: How long does it take to make an AI promo video?

What do we need to prepare before starting?

A one-line brief or story outline, the use and distribution channels, 2–3 style references, runtime and aspect ratio, the delivery date, and whether you want AI or human voiceover and in what language. If you don't have everything yet, we can still talk, and we'll help you fill the gaps.

Full answer: What does a client need to prepare before commissioning an AI video?

How is quality signed off?

When quoting, we agree with you on 1–2 benchmark works; matching their level counts as meeting the standard. Whether a given effect is achievable is judged against those benchmarks and comparable work at the same price on the market, within what AI can currently do.

Full answer: How is the quality of an AI video accepted?

Can AI video keep characters consistent?

Yes. We first build the lead, recurring supporting characters and main locations as fixed character and location assets; once you approve them, every shot is generated from those assets. If a character's face changes or a location doesn't match in the film, that's an objective error and is fixed free before final.

Full answer: Can AI video keep characters consistent from shot to shot?

How quickly do you need feedback at each sign-off?

Please send consolidated feedback within 2 business days. If we don't hear back in time, the delivery date moves back accordingly. If no feedback is raised within 7 days of final delivery, the work is deemed accepted.

04Revisions

How many revisions are included?

After the first cut, you consolidate your feedback and we make one round of revisions; after the revised cut, there's one more round of fine-tuning. Before that, the script, style assets and storyboards are all approved by you first, so the big decisions are locked early. Objective errors—continuity slips, typos, mismatches with approved content—are fixed free any time before final and don't count toward your rounds.

Full answer: How many revisions does an AI video include, and how are big changes handled?

Are revisions counted by rounds or by time?

Either works—choose one at signing. Longer projects go by rounds. For projects with a fixed release date and a short schedule (usually about two weeks or less), we recommend going by deadline: say you send the brief on October 15 and need it for a conference on the 30th—we give it our all for those two weeks without counting rounds, and on the deadline we deliver the best version at that point.

Going by deadline assumes: feedback stays within the original brief, approved content isn't reversed, and total revisions across the project don't exceed the work of making the whole film once.

Is changing a character or an action a major revision?

It depends on how many shots it touches. A character who appears in only one or two shots is easy to change; changing a lead who appears in most shots is like changing most of the film. The hardest to change is the core product—change the product and the whole film has to be reworked.

Cumulative revisions across the project can't exceed the work of making the whole film once—roughly redoing half its shots. We'll let you know in advance when you're close to the limit.

What if we want to change direction after the script is approved?

Changing the storyline, product or style after the script, style or storyboards are approved counts as reversing approved content. It carries a surcharge based on the stage reached—the later, the higher—with rates set out in the quote. Minor adjustments count as normal revisions. A partial restart is prorated by the share of the film's runtime it affects.

For concrete examples, see Revisions & Restarts above: the two changes on Robot Street's “Geek Ideas.” Reference sheets already made were reused, untouched shots were kept, and only the changed segments were billed proportionally.

How do you tell a restart from a normal revision?

It depends on whether you're changing something already approved. Feedback within the current step—say, “try a different angle for this shot” at the storyboard stage—is a normal revision. Going back to change something approved earlier—rewriting the script or changing the art style after all the storyboards are done—is a restart. That's why we ask for written sign-off at every step, so changes after approval are on record.

What if the result doesn't match the approved storyboard?

Approved storyboard frames will always be followed in the video. If we fall short, that's on us, and we'll fix it free until it matches. For shots approved only in text, we send them to you during generation; if AI can't do a certain action, we offer an alternative on the spot and only continue once you agree, so there are no surprises at delivery.

How are revisions beyond the included scope charged?

Per person-day. Before starting, we tell you in writing how much extra it costs and how many days it takes, and only make the changes once you confirm—never charging after the fact.

The film's done, but things changed internally and we want to hold off and revise. Is that OK?

Yes. Changes after final are billed per person-day, and restarts carry a stage-based surcharge. If a project is paused for more than 15 days, it's settled by completed stage and rescheduled when it restarts.

05Payment, copyright and compliance

How do we pay? Can you issue invoices?

Production starts after a 50% deposit on signing, and the remaining 50% is due within one month of final approval. We issue Chinese VAT invoices and can also accept payments from outside China.

How is it settled if we stop the project midway?

By completed stage: script approved, storyboard frames approved, first cut delivered, final. The settlement percentage for each stage is set out in the contract. Payments already made aren't refunded, and any shortfall is paid up.

Who owns the copyright? Will you put the film in your portfolio?

Once paid in full, all our rights in the finished film, original script, project files and delivered assets are transferred to you, worldwide and in perpetuity, including translation, localization and adaptation.

After you release it publicly, we'll show excerpts in our portfolio in ways that don't affect your interests.

Full answer: Who owns the copyright in an AI video, and can it be used commercially?

Can we sign an NDA and keep it off public display?

Yes. If the project can't be shown at all, please tell us at signing, as this affects the quote. If it only needs to stay confidential until release, a standard NDA is enough.

Which AI tools do you use? Are they cleared for commercial use?

Only closed-source commercial platforms and models such as Kling, Lovart and LibTV, all on paid accounts; no open-source models. These platforms' user agreements allow commercial use. Whether purely AI-generated images can be registered for copyright on their own in some countries depends on local law; what we guarantee is no infringement of third-party rights, and transfer of all our rights to you.

Full answer: Which tools are used to make AI videos, and are they licensed and compliant?

Can you prove the tools are licensed and compliant?

We can provide: a list of platforms and models used, invoices or purchase records for paid subscriptions, links to the platforms' user agreements, and time-stamped screenshots of generation records (showing which platform and model was used).

Full answer: Which tools are used to make AI videos, and are they licensed and compliant?

Are AI voiceover and AI music cleared for commercial use?

They're generated on paid accounts, and the platforms' terms allow commercial use. If you want a specific commercial song or a human voiceover, licenses are purchased separately at cost, with your prior approval.

06Delivery and communication

What files do you deliver? Can we get project files?

The final MP4, separate voiceover and music stems, the image and video assets used, and editing project files—CapCut, After Effects or Premiere Pro, depending on the project.

Can overseas clients work with you?

Yes. We deliver via Google Drive or a platform of your choice, written communication in English is no problem, and we can accept payments from outside China. For live meetings in English, we'll need help with interpretation from your side.

Full answer: How do overseas clients work with an AI video team in China?

Where is the company? Can we meet in person?

Shenzhen Alchemy Technology Co., Ltd., Room 201-5, Level 2, Tower F, Galaxy WORLD, No. 1 Yabao Road, Bantian, Longgang District, Shenzhen (near Yabao Station on Metro Line 10). You can book an in-person meeting, or we can meet online.

08AI Video Guide

More questions: the AI Video Guide

Questions not covered above, each answered on its own page with real cases we’ve made; questions above marked “Full answer” have their own pages too. All 22 are in the AI Video Guide.

Open the AI Video Guide

Send a one-line brief, and we'll work out the approach

Tell us where the film will be used, the feel you want and when you need it. Within 1–2 business days we'll send recommendations and a quote; if you're unsure about the result, we can start with a sample.

This page was last updated on 2026-10-13. The quote and contract signed by both parties take precedence.

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Company Information
Chinese Name
Shenzhen Alchemy Technology Co., Ltd.
English Name
Shenzhen Alchemy Technology Co., Ltd.
Address
Room 201-5, Level 2, Tower F, Galaxy WORLD
No. 1 Yabao Road, Bantian, Longgang District, Shenzhen
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