Period scenes are costly
The Long March route, old streets, field camps—sets, costumes and props all add up.
Making red-culture shorts people actually watch is hard: period sets are expensive, costumes and props hard to source; told like a documentary, young viewers swipe past; set only in the present, the history loses its weight.
We give each story a hook—a family letter, a museum piece, a question asked long ago. The film cuts between then and now, and the forebears’ hopes are answered by today’s cities, villages and children. Historical scenes are generated with AI, no sets needed, and a full emotional arc fits in a minute or two.

The Long March route, old streets, field camps—sets, costumes and props all add up.
A textbook tone gets scrolled past in seconds on vertical platforms.
History first, achievements second—it feels like two films stuck together.
Old streets, barracks and grasslands generated from sources—no sets or costume hunts.
A letter or a question runs start to finish; past and present are two ends of the same thread.
Question, listening and reply in a minute or two—short enough to watch on a scroll.
One forebear or one place per episode, with consistent characters and style.
From a letter in a museum, back to the night it was written, and forward to today.
A forebear and today’s soldier, student or builder share the frame, question and answer.
A place’s revolutionary past, answered by its villages and cities today.
Entries for government or media calls, from script to finished film.
Each step comes to you for approval before we move on.
The person, event or place, and any letters, artifacts and records.
We write the script and character designs, then show stills of key figures and scenes for you and historians.
We generate the video, add dialogue or narration, music and subtitles, and cut a draft.
We revise to review notes and deliver vertical and landscape; series are scheduled episode by episode.
Click through for the full film and project review.

Letters from Southwest Zhejiang, for the In Zhejiang micro-drama program: Liu Ying’s letter leads from a memorial hall to Zhejiang today—script, visuals and edit by us.
See the full case
Our own practice piece, Chasm to Thoroughfare: a Long March soldier and a modern one meet on the same hillside, and a phone links the two eras.
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Veteran’s Wish, by Baidu with creator Zhibi Zhanshi: an old soldier meets his younger self; we made the travel stills and story short.
See the full caseFor process, pricing and revisions, see Process & Pricing.
Listed here is what we’ve done and what people ask most. For other industries or uses, add us on WeChat and send a one-line brief—we’ll reply with an approach and quote within 1–2 working days.

Page updated 2026-10-24
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