Subtitles aren’t enough
The same faces and streets from home make local viewers feel it isn’t for them.
Going abroad with subtitles alone rarely works. The lip movements don’t match the new voice, and the people, streets, holidays and food on screen all look like home—local viewers can tell instantly it wasn’t made for them. Reshooting for every market costs too much time and money.
We build every version on the same script and storyboard. Subtitles and voice switch to the local language, people, clothing, buildings and daily scenes are regenerated for each market, and your product and brand stay identical. On-screen text is set in post, so each language’s length and reading direction are handled properly.

Rush production is available; timeline and price are agreed case by case.
The same faces and streets from home make local viewers feel it isn’t for them.
Every extra country means another shoot and a longer schedule.
Languages differ in length, Arabic reads right to left, and reused templates break.
Faces, clothing, architecture and interiors regenerated for each market.
Shot structure stays fixed while people, places and language change, keeping every version in rhythm.
Each language gets its own voice and subtitle layout, with shot lengths adjusted to the pace.
Product, logo and key colors stay identical across every version.
A finished domestic film relaunched abroad with new language, people and settings.
A product launching in several countries on the same day, one version each.
Interface language, chat content and use scenarios adapted to local habits.
Holiday versions built around each country’s own festivals and customs.
Each step comes to you for approval before we move on.
An existing film or new script, target markets and languages, plus local references if you have them.
We list what changes per market—people, settings, text—and show key stills for approval.
We replace visuals per plan, add local-language voice and subtitles, and check text version by version.
Each market gets its own film and subtitle files in local platform specs.
Click through for the full film and project review.

ChatRaha, Oman: Omani architecture, dress and family scenes, with interface cards in both English and Arabic.
See the full case
OHMAI, UK: bilingual storyboards with shared shot numbers, English text set in post, delivered in English.
See the full case
UNDP public service film: bilingual career names and subtitles added in post so placement and size stay adjustable.
See the full caseFor process, pricing and revisions, see Process & Pricing.
Listed here is what we’ve done and what people ask most. For other industries or uses, add us on WeChat and send a one-line brief—we’ll reply with an approach and quote within 1–2 working days.

Page updated 2026-10-24
Ideal for brand launches · public-sector communications · cultural-tourism campaigns · IP transformation · event openers · earnings visualization · social campaigns · AI workflow development